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<url><loc>https://the-matter.org/2026/04/07/0004/</loc><news:news><news:publication><news:name>The Matter.</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-04-07T13:07:45+00:00</news:publication_date><news:title>George Orwell’s 1984: Total Structure Without Exterior</news:title></news:news></url><url><loc>https://the-matter.org/2026/04/07/0003/</loc><news:news><news:publication><news:name>The Matter.</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-04-07T13:02:53+00:00</news:publication_date><news:title>Franz Kafka’s The Trial: Procedure Without Center</news:title></news:news></url><url><loc>https://the-matter.org/2026/04/07/0002/</loc><news:news><news:publication><news:name>The Matter.</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-04-07T12:53:14+00:00</news:publication_date><news:title>Kōbō Abe’s The Woman in the Dunes: System, Function, and the Limit of the Subject</news:title></news:news></url><url><loc>https://the-matter.org/2026/04/07/0001/</loc><news:news><news:publication><news:name>The Matter.</news:name><news:language>en</news:language></news:publication><news:publication_date>2026-04-07T12:20:20+00:00</news:publication_date><news:title>J. M. Coetzee: The Limit of Reduction</news:title></news:news></url></urlset>
